Jaclyn Smith: the surprising reason she turned down a Bond girl role

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Jaclyn Smith told a PaleyFest audience she walked away from a chance to be a Bond leading lady because she kept a TV contract and wanted to honor it. Her decision shines a light on a different era in Hollywood, when loyalty to a showrunner and a network could shape a career as much as an audition.

Why she passed on Moonraker and stuck with Charlie’s Angels

At the 50th anniversary PaleyFest for Charlie’s Angels, Smith said her Texas upbringing taught her to keep promises. She had a standing agreement to the series. Aaron Spelling had brought her into the project. So she chose to remain with the show rather than pursue a film offer.

The role she was linked to was Dr. Holly Goodhead in Moonraker, the 1979 James Bond film. That part later went to Lois Chiles. Smith framed her choice without regret, noting that sometimes projects don’t align and things unfold for a reason.

Other high-profile projects she considered and declined

Smith revealed a few notable offers that she ultimately did not take. She candidly explained that scripts and instincts guide her choices.

  • Moonraker — Offered the Bond role of Dr. Holly Goodhead; the role was given to Lois Chiles.
  • Beetlejuice — She was considered but said the concept didn’t click for her at the time.
  • 9½ Weeks — At one point she and John Travolta were eyed for the project, but the film later starred Kim Basinger and Mickey Rourke.

Smith admitted the Beetlejuice script didn’t resonate with her. She joked that her husband wished she had taken the part, but she stood by her instincts about material and fit.

What those choices reveal about her approach

She emphasized that a performer must feel a role’s truth. Scripts that don’t ring true can’t be fixed by star power alone. Smith said she prefers to bring something authentic to each part.

Career highlights beyond Angels

Smith’s resume extends well beyond her early TV fame. She balanced television movies, miniseries, and recurring roles across network and cable.

  • Television films: She led the well-received Jacqueline Bouvier Kennedy biopic.
  • Miniseries: She starred in The Bourne Identity adaptation in 1988.
  • Recurring TV roles: Becker, The District, CSI: Crime Scene Investigation and All American.

These roles showed Smith’s range, from dramatic portrayals to procedural television. Her career has been steady and varied, a mix of prestige projects and mainstream work.

How Charlie’s Angels overcame early skepticism

The show began as a two-part television movie. Networks initially doubted the series’ staying power, according to Smith. But the pilot drew big numbers, and then bigger numbers the following night.

Smith credited Aaron Spelling’s instincts for the show’s success. Spelling believed in the concept and persisted even when the network hesitated to commit to a full season.

  • Pilot aired as a two-parter.
  • Network feared the success might be a fluke.
  • Ratings proved enduring and the show climbed the charts.

Once the series lodged in the top 10, the network accepted it as a hit and expanded its episode orders.

Cast memories and missed opportunities

At the reunion, former Angels co-star Kate Jackson shared a different kind of lost opportunity. She said schedule shifts for the show prevented her from taking a role later won by Meryl Streep in Kramer vs. Kramer.

Jackson described multiple schedule changes and said producer decisions kept her from pursuing the film. She then decided to step away from the show after that season.

The reunion mixed nostalgia with frank recollections about the business. Cast members reflected on choices that shaped their trajectories, from roles they accepted to parts they let pass.

PaleyFest reflections and the legacy of a hit

Smith, joined by her former co-stars, recounted how unexpected success became a cultural moment. Images and applause at PaleyFest underlined the show’s lasting pop-culture presence.

She summarized her career outlook in a simple way: she believes in honoring commitments and trusting the path that unfolds. “What’s meant to be will be,” she said, framing a long, varied career as a satisfying journey.

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